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Jan Akkerman and Joachim Kühn recorded live in Kiel / Stuttgart in Germany (1979). Japanese pressing, Inak Reference Edition.

Jan Akkerman and Joachim Kühn recorded live in Kiel / Stuttgart in Germany (1979). This is a test-pressing with generic labels.

This is the second album between Jan Akkerman and Kaz Lux and features some excellent songs, such as "Marsha" and "Don’t hesitate". German pressing.

This album was made for a bet in 48 hours and is full of Jan's humour ( Disc-O-Asis and writing credits to A. Rab ). It has a Middle Eastern flavour and features aggressive guitar playing over a disco beat.

CD re-issue on Red Bullet label. One bonus track: A familiy in the oil.

Recorded in Copenhagen (with Danish musicians) during Jan Akkerman's "Scandinavian periode" this UK release is from 1985.

According to the Jan Akkerman website this special Polish edition of "It Could Happen to You" was a semi-legal issue.

This one is often regarded as the best Akkerman album of the Eighties, and most probably also one of his best ever. But who chose a Fender Strat for the cover photo??? (...and yes, now the question is actually answered) :-)

1987 re-issue. Digittally remastered. Originally released in 1982

1998 re-issue. Digitally remastered by Jan Akkerman. 12 bonus tracks and informative booklet! Read the liner notes by JA himself!

Recorded in 1983. This original release contains the short "Who knows". The song is missing on most of the later re-issues.

Recorded in 1983. This is a 1986 UK cassette reissue with new covert art.

Recorded in 1983. This original Dutch release contains the short "Who knows". The song is missing on most of the later re-issues.

Recorded in 1983. This is a 1986 UK reissue with new covert art.

1994 German re-issue, originally released in 1983. 4 live bonus tracks.

1984 solo album from Jan Akkerman, o.a. containg a cover of Bob Dylan's "All along the watchtower" and the beautiful "Wallenberg",

1998 re-issue (originally released in 1984). 8 bonus tracks!

Original 1986 release (french pressing) of album mainly recorded in Denmark in 1982.

JA makes heavy use of his Roland guitar synths on this very underestimated 1987 solo release.

This was recorded two years after the FOCUS album with Thijs van Leer and follows many of the themes. JA makes heavy use of his Roland guitar synths.

This alternative version of "Heartware" was sold during the Jan Akkerman Band German Tour of 1988, in a limited edition of 1000 copies.

Dutch re-issue from 1998. 8 bonus tracks. Read the liner notes by Jan Akkerman.

Cassette version of Jan Akkerman's "come back" album, released on Miles Copeland's IRS label.

This was seen as Jan Akkerman's "come back" album as it was released on Miles Copeland's IRS label all over Europe and the USA. It is a good guitar album featuring some excellent fret work from Jan the highlights being Bonnaville (Jan likes powerful British motorbikes) and the lovely Prima Donna.

US pressing of Jan Akkerman's "come back" album, released on Miles Copeland's IRS label. Still in factory sealed longbox!

Jan Akkerman's come back album after the car accident in 1992. A melodic, beautiful and very lyrical album.

Straight-forward guitar based blues, funk and rock'n roll. Released in 1994, but without much success

Japanese release. With booklet in Japanese.

Excellent 1996 solo album from Jan Akkerman. The album contains several adaptions of classical works by Bach, Fauré, Grieg and Mozart.

Live recordings from the period 1995-1997. Many fans consider this double CD set as the ultimate JA live release. A fine blend of solo stuff and old Focus "war crimes".

Live recordings from the period 1995-1997. Many fans consider this double CD set as the ultimate JA live release. CD 2 of this double CD set was recorded open air, -4 degrees, in Utrecht

Read Jan Akkerman's liner notes on this 2004 re-release

Very rare CD recorded in front of 100 people at the ancient Priory building in Birkenhead in England. This collector's album was produced as a very limited edition, only sold throught JA's old Internet site.